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Best of Philly 2008

Phoenixville Arts & Culture

Art & Independent Films
7 nights a week
Classics
Sundays at 2:00pm
Young Audiences
Saturdays at 2:00pm
Fright Night
First Fridays at 9:45pm
Baby Nights
Mondays at 6:30pm
Matinees
Wednesdays at 2:00pm
Film Discussions
Wednesdays at 9:30pm

Events for March 31st, 2012

Shine and the Moonbeams

Tickets: $8.50. 60 min.

  • Sat, Mar 31, 2:00 pm

Take five outstanding NYC musicians with eclectic musical tastes and influences, combine their unique perspectives, add a backing band, and witness the result: a soulful, groove-heavy R&B musical extravaganza in a rock and roll package, capturing the sweetness, uncertainty, and simplicity of youth. Shine and the Moonbeams is family music’s first soul band. Shine sings “Wake Up Baby!” on Dan Zanes recent album Little Nut Tree; and Zanes will be releasing Shine’s first album in 2012.

“There was something in the performance touched folks emotionally.” Out with the Kids raved that Shine and the Moonbeams’ songs were “heartfelt, insightful and emotional, with brilliant musicianship to boot.” – Zooglobble More»

Pariah

Directed by Dee Rees. US. 2011. R. 86 min. Focus Features. 35mm.

Sat, Mar 31 thru Thu, Apr 5 -- Roll over to view showtimes.

“From its opening scenes, Pariah, a vital first feature worked up from a short film by director Dee Rees, draws you into a world largely untapped in American black cinema. The setting is a nightclub where AG’s — “Aggressive Lesbians,” members of a subculture marginalized within their own black community, let alone the rest of the world — can frolic with joy and humor, acting out a raucous, good-natured belligerence denied them in their everyday lives. Yet the movie is anything but combative. Pariah is a tender, sporadically goofy, yet candid examination of emergent identity, a film whose lack of attitude sets it apart from much of the hard-bitten, thug-life storytelling that’s dominated African-American cinema for decades. If anything, its source genre is the coming-of-age movie, and though the universe its freshly hatched lesbian inhabits is all black, Rees is blessedly unwilling to confine herself in any kind of ghetto, whether racial, sexual or aesthetic. More»