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Classic Films

Member passes are accepted at most classic films. Click on the film title to confirm.
Matinee: $7 Adult // $7 Seniors (62+) & Students // $5 Members & Children <13
Evening: $10 Adult // $8 Seniors (62+) & Students // $6 Members & Children <13

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Pitts & Todd Comedy Shorts

Sun., April 22, 2018

US. NR. 1 hour 17 minutes. Sonar. 35mm.

Many duos loom large in the world of comedy: Laurel & Hardy, Abbott & Costello, Martin & Lewis to name just a few. But one of the most overlooked duos was the winning team of Zasu Pitts & Thelma Todd. Put together by producer Hal Roach (Our Gang), Pitts & Todd were a major success (at one time they even out-grossed some of the biggest names in the business . . .

The Wizard of Oz

Sat., April 28, 2018

Directed by Victor Fleming. US. 1939. Ages 6+. 1 hour 41 minutes. Warner Bros. Digital.
Sponsored by REDFIN PHOENIXVILLE

Winner of two Academy Awards, The Wizard of Oz is an American classic. Starring Judy Garland, Bert Lahr, Ray Bolger and Jack Haley. A perfect score by Harold Arlen and E.Y. Harburg, highly imaginative sets and brilliant characterizations make this adaptation of the Frank Baum story a musical fantasy of the highest caliber. Audiences of all ages have been enchanted with The Wizard of Oz since it’s first . . .

Top Hat

Sun., May 6, 2018

Directed by Mark Sandrich. US. 1935. NR. 1 hour 41 minutes. Warner Bros. 35mm.

Fred Astaire and Ginger Rogers’ most successful film partnership (and the second biggest hit of 1935) Top Hat not only spotlights the on-screen chemistry and fancy footwork of its leads, it’s also a showcase for the amazing talents of ace songwriter Irving Berlin. After arriving in London to star in a new musical production, American dancer Jerry (Astaire) awakens his hotel neighbor, Dale (Rogers), while rehearsing a tap . . .

Roman Holiday

Sun., May 13, 2018

Directed by William Wyler. US. 1953. NR. 1 hour 58 minutes. Paramount. Digital.

Overwhelmed by her suffocating schedule touring, European princess Ann (Audrey Hepburn) takes off for a night while in Rome. When a sedative she took from her doctor kicks in, she falls asleep on a park bench and is found by an American reporter Joe Bradley (Gregory Peck) who takes her back to his apartment for safety. At work the next morning Joe finds out Ann’s regal identity and bets . . .

Breakfast at Tiffany’s

Sun., May 20, 2018

Directed by Blake Edwards. US. 1961. NR. 1 hour 55 minutes. Paramount. Digital.

Loosely based on the novel by Truman Capote, Breakfast at Tiffany’s follows the exploits of Holly Golightly (Audrey Hepburn), a charming yet naïve socialite who hosts wild cocktail parties, delivers a weekly ‟weather report” to a jailed mobster, and searches for a millionaire to marry. When young would-be writer Paul Varjak (George Peppard) moves into her apartment building, he begins to learn that there’s more to . . .

Two for the Road

Sun., May 27, 2018

Directed by Stanley Donen. UK. 1967. NR. 1 hour 51 minutes. Fox. Digital.

While on a business trip in the French Riviera, Mark Wallace (Albert Finney) and his wife Joanna (Audrey Hepburn) share memories of their courtship newlywed days and cherished road trips through the French countryside. As flirtation and playful quarreling turn to boredom the Wallaces’ struggle to rekindle their passion . . .

Tom Jones

Sun., June 10, 2018

Directed by Tony Richardson. UK. 1963. NR. 2 hours 8 minutes. Janus. Digital.

Not to be confused with the popular Welsh singing sensation, Tom Jones tells the story of a handsome foundling (Albert Finney) who yearns for the heart of young noblewoman Sophie Western (Susannah York). Although she loves sweet and kind Tom in return, her class status prevents her from marrying him. Instead her parents point her in the direction of the mean and cruel Blifil . . .

Go Ape with Dad! Planet of the Apes Marathon

Sun., June 17, 2018


Sponsored by National Trust Insurance Services

Treat Dad to an unforgettable afternoon of classic sci-fi with the Colonial’s Go Ape with Dad! Planet of the Apes Marathon! Not only will you be able to see the original Planet of the Apes on the big screen, you’ll also enjoy the seldom screened sequels Beneath the Planet of the Apes and Escape from the Planet of the Apes.
Individual Film Tickets
Adults: $10
Seniors &amp . . .

Jaws

Sat., June 23, 2018

Directed by Steven Spielberg. US. 1975. PG. 2 hours 4 minutes. Universal. 35mm.
Sponsored by Matthew Lindsey and Allison Stull

Just when you thought it was safe to go back to the movies: here comes the Colonial’s annual screening of Steven Spielberg’s first blockbuster – Jaws! In this summertime classic a hungry stranger (Bruce the Shark) comes to the beaches of Amity Island and all hell breaks loose. Now it’s up to the town’s police chief (Roy Scheider,) a marine biologist (Richard Dreyfuss), and a salty shark . . .

The Bridge On the River Kwai

Sun., June 24, 2018

Directed by David Lean. UK. 1957. NR. 2:41 minutes. Sony. Digital.

Set in a POW camp in Burma during the height of World War II, Bridge Over the River Kwai focuses on the no-win situation of British officer Col. Nicholson (Sir Alec Guinness) – either he and his men build a bridge that will benefit the war effort of their captors, or suffer unimaginable torture. At first reluctant Nicholson soon realizes that the construction project is a morale booster for his . . .

Yellow Submarine

Sun., July 8, 2018

Directed by George Dunning. UK. 1968. G. 1 hour 30 minutes. Abramorama. Digital Restoration.

Yellow Submarine, based upon a song by John Lennon and Paul McCartney, is a fantastic tale brimming with peace, love, and hope, propelled by Beatles songs, including “Eleanor Rigby,” “When I’m Sixty-Four,” “Lucy in the Sky With Diamonds,” “All You Need Is Love,” and “It’s All Too Much.” When the film debuted in 1968, it was instantly recognized as a landmark achievement, revolutionizing a genre by integrating . . .

Blobfest 2018: The Blob and Demon with the Atomic Brain

Sun., July 15, 2018

An attempt to weaponize a machine capable of opening portals to other worlds fails, and instead creates an exponentially expanding “bubble” of fractured space-time. A team of specialists must enter the disturbance and make their way down a rabbit hole of increasingly more dangerous alternate realities in the hopes of finding and shutting down the machine which created it. However, someone-or SOMETHING seems determined to stop them before . . .