the colonial theatre marquee

A Fantastic Woman

Directed by Sebastián Lelio. Chile. 2017. R. 1 hour 44 minutes. Sony Pictures Classics. Digital.
Fri., March 16, 2018 thru Thu., March 29, 2018
Friday
March 16, 2018
2:00 pm
Friday
March 16, 2018
4:30 pm
Friday
March 16, 2018
7:15 pm
Saturday
March 17, 2018
2:00 pm
Saturday
March 17, 2018
4:30 pm
Saturday
March 17, 2018
7:15 pm
Saturday
March 17, 2018
9:30 pm
Sunday
March 18, 2018
2:00 pm
Sunday
March 18, 2018
4:30 pm
Sunday
March 18, 2018
7:15 pm
Monday
March 19, 2018
2:00 pm
Monday
March 19, 2018
4:30 pm
Monday
March 19, 2018
7:15 pm
Tuesday
March 20, 2018
2:00 pm
Tuesday
March 20, 2018
4:30 pm
Tuesday
March 20, 2018
7:15 pm
Wednesday
March 21, 2018
2:00 pm
Wednesday
March 21, 2018
4:30 pm
Wednesday
March 21, 2018
7:15 pm
Thursday
March 22, 2018
2:00 pm
Thursday
March 22, 2018
4:30 pm
Thursday
March 22, 2018
7:15 pm
Friday
March 23, 2018
5:00 pm
Saturday
March 24, 2018
5:00 pm
Sunday
March 25, 2018
7:45 pm
Monday
March 26, 2018
5:00 pm
Tuesday
March 27, 2018
2:15 pm
Wednesday
March 28, 2018
2:15 pm
Thursday
March 29, 2018
5:00 pm
Ends Thu, Mar 29.

A Fantastic Woman is the story of Marina, a waitress and singer, and Orlando, an older man, who are in love and planning for the future. After Orlando suddenly falls ill and dies, Marina is forced to confront his family and society, and to fight again to show them who she is: complex, strong, forthright, fantastic.

“Psychologically astute and socially aware as the film is, it is also infused with mystery and melodrama, with bright colors and emotional shadows. Almodóvarian and Buñuelian grace notes adorn its matter-of-fact melody, and its surface modesty camouflages an unruly, extravagant spirit. You may not realize until the very end that you have been gazing at the portrait of an artist in the throes of self-creation.” – A.O. Scott, The New York Times

“The superb Vega’s steady, liquid, fathomless gaze is so direct that we come to understand that behind it, behind the barricade of defenses she’s built up against an unfriendly world, she is no enigma at all: she is completely known to herself.” – Jessica Kiang, The Playlist

Access reviews at Metacritic or Critics Round Up.