the colonial theatre marquee

Loveless

Directed by Andrey Zvyagintsev. Russia. 2017. R. 2 hours 7 minutes. Sony Pictures Classics. Digital.
Fri., March 30, 2018 thru Thu., April 12, 2018
Friday
March 30, 2018
1:45 pm
Saturday
March 31, 2018
1:00 pm
Sunday
April 1, 2018
1:45 pm
Monday
April 2, 2018
1:45 pm
Tuesday
April 3, 2018
1:45 pm
Wednesday
April 4, 2018
1:45 pm
Thursday
April 5, 2018
1:45 pm
Friday
March 30, 2018
4:30 pm
Saturday
March 31, 2018
3:45 pm
Sunday
April 1, 2018
4:30 pm
Monday
April 2, 2018
4:30 pm
Tuesday
April 3, 2018
4:30 pm
Wednesday
April 4, 2018
4:30 pm
Thursday
April 5, 2018
4:30 pm
Friday
March 30, 2018
7:15 pm
Saturday
March 31, 2018
6:30 pm
Sunday
April 1, 2018
7:15 pm
Monday
April 2, 2018
7:15 pm
Tuesday
April 3, 2018
7:15 pm
Wednesday
April 4, 2018
7:15 pm
Thursday
April 5, 2018
7:15 pm
Saturday
March 31, 2018
9:15 pm
Friday
April 6, 2018
4:15 pm
Saturday
April 7, 2018
6:30 pm
Sunday
April 8, 2018
4:30 pm
Monday
April 9, 2018
1:45 pm
April 9, 2018 to April 10, 2018
7:15 pm to 7:15 pm
Tuesday
April 10, 2018
4:30 pm
Wednesday
April 11, 2018
1:45 pm
Wednesday
April 11, 2018
7:15 pm
Thursday
April 12, 2018
4:30 pm
Ends Thu, Apr 12.

Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears.

“The picture is made with a seeming chilliness that’s actually a kind of anguished warmth, and it works both as the story of a nation caught in a thorny crisis and as a fraught drama of a family torn apart by its own coldness and greed.” – Stephanie Zacharek, Time

“It’s a vision of breathtaking, casual cruelty that inexorably shifts from the personal into an indictment of a soul-sick country.” – Manohla Dargis, The N.Y. Times

“Few living filmmakers put as much care and intentionality into their storytelling craft as the emergent Russian master Andrey Zvyagintsev. . . . The camera in Loveless doesn’t just invisibly serve character and story, it functions as its own narrative device—the omniscient eye.” – Eric Hynes, Film Comment

Access reviews at Metacritic or Critics Round Up.