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The Lobster

Directed by Yorgos Lanthimos. Greece. 2015. R. 119 minutes. A24. Digital.
Sat., June 18, 2016 thru Thu., June 30, 2016
Saturday
June 18, 2016
8:00 pm
Sunday
June 19, 2016
8:00 pm
Monday
June 20, 2016
6:30 pm
Tuesday
June 21, 2016
7:30 pm
Wednesday
June 22, 2016
2:00 pm
Wednesday
June 22, 2016
4:45 pm
Thursday
June 23, 2016
7:30 pm
Wednesday
June 22, 2016
7:30 pm
Saturday
June 25, 2016
7:45 pm
Sunday
June 26, 2016
7:45 pm
Monday
June 27, 2016
6:30 pm
Tuesday
June 28, 2016
7:30 pm
Wednesday
June 29, 2016
2:00 pm
Wednesday
June 29, 2016
4:45 pm
Wednesday
June 29, 2016
7:30 pm
Thursday
June 30, 2016
7:30 pm

“Now that the shock-and-awe summer movie season is upon us, things are about to get very repetitive at the multiplex. Not to mention very, very loud. Asa bit of counter-programming, allow me to recommend Yorgos Lanthimos’ The Lobster, the most original and beautifully strange love story since Eternal Sunshine o the Spotless Mind and my favorite film of the year so far. Its probably worth mentioning right up front that Lanthimos’ films aren’t for everyone. They’re deadpan and almost clinically detached. At times they feel like dispatches from a distant alien planet. But if you’re willing to surrender to his singular vision, you might just walk out of the theater seeing the world in a new way which is probably more than you can expect from the new Kevin Hart comedy.

The 42-year-old Greek writer-director became a world-cinema darling with 2009’s Dogtooth, a surreal tale about three grown children raised by their parents in Skinner-box seclusion who have no knowledge of the outside world. His follow-up,2012s Alps, revolved around a business that impersonates the recently deceased to help their loved ones through the grieving process.Both films were visually stunning and narratively bold, but there was something a bit too remote about them. The Lobster has some of that same chilliness, but as the story goes on, it begins to thaw and reveal areal warmth and sense of romantic longing that make it Lanthimos’ most mature film yet. Its also his first in English with Hollywood actors.

A formidable, fully committed Colin Farrell stars as David, a hangdog thirty-something hose wife has just left him for another man. In Lanthimos’ wiggy alternate universe,that means that he now has 45 days to find anew romantic partner or else he will be surgically turned into an animal of his choosing and released into the wild. Most folks in his shoes elect to be reincarnated as dogs (that’s why there are so many of them). Instead,David chooses to become a lobster, because,he says, they live for over a hundred years,they’re blue-blooded like aristocrats, and they stay fertile all their lives. Plus, he adds,I like the sea very, very much. Along with others in newly single circumstances, David checks into a spa-like retreat where he can stiffly mingle with prospective partners.There he meets a couple of fellow new arrivals played by Ben Whishaw and a lisping ohn C. Reilly, both of whom nail Lanthimos’ signature bone-dry tone.

The films resort setting is like Wes Anderson’s Grand Budapest Hotel crossed with an Orwellian prison, and David, with a caterpillar mustache and a sad-sack paunch,does his best to find a compatible new mate. But as his crustacean deadline looms,he has a change of heart and decides to flee into the surrounding woods to join up with The Loners, a resistance group (led by a wonderful La Seydoux) that refuses to cave in to society’s Kafkaesque rules governing love. One of these chaste fugitives,played by a heartbreaking Rachel Weisz, turns out to be the soul mate hes been searching for only shes turned up too late. Or has she?

The existential rabbit-hole plot of The Lobster couldn’t be more bonkers. The premise shouldn’t work at all, but it does and beautifully. Its like a missing chapter of Everything You Always Wanted to Know About Sexbut Were Afraid to Ask that Woody Allen never bothered shooting because it was too absurd. Lanthimos stuffs his scalpel-sharp satire about the way our culture looks down on single people with provocative ideas and heady metaphors you’ll be chewing on for days and weeks after you’ve left the theater. In one scene, Farrell soaks in a hot tub next to a cruel potential mate hes a tormented soul being slowly cookedt o death in his own personal lobster pot.In others, exotic animals like flamingos andc amels wander through the woodsy background of the frame. Its odd at first. Then, after a while, you start to think: I wonder who that rabbit was before he or she was turned into a rabbit. As far as I’m concerned, any filmmaker who gets you thinking along those lines is doing something very, very right.” (Chris Nashawaty, Entertainment Weekly)

Access more reviews at Metacritic or Critics Round Up.

Please note that our film schedule is subject to change, so please check back here or call 610-917-1228 to confirm show times.

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