the colonial theatre marquee

The Rider

Directed by Chloé Zhao. US. 2017. R. 1 hour 44 minutes. Sony Pictures Classics. Digital.
Fri., May 18, 2018 thru Thu., May 31, 2018
Friday
May 18, 2018
2:30 pm
Sunday
May 20, 2018
2:30 pm
Monday
May 21, 2018
2:30 pm
Tuesday
May 22, 2018
2:30 pm
Wednesday
May 23, 2018
2:30 pm
Thursday
May 24, 2018
2:30 pm
Friday
May 18, 2018
5:15 pm
Saturday
May 19, 2018
4:30 pm
Sunday
May 20, 2018
5:15 pm
Monday
May 21, 2018
5:15 pm
Tuesday
May 22, 2018
5:15 pm
Wednesday
May 23, 2018
5:15 pm
Thursday
May 24, 2018
5:15 pm
Friday
May 18, 2018
7:45 pm
Saturday
May 19, 2018
7:00 pm
Sunday
May 20, 2018
7:45 pm
Monday
May 21, 2018
7:45 pm
Tuesday
May 22, 2018
7:45 pm
Wednesday
May 23, 2018
7:45 pm
Thursday
May 24, 2018
7:45 pm
Saturday
May 19, 2018
9:15 pm
Friday
May 25, 2018
4:00 pm
Friday
May 25, 2018
8:45 pm
Saturday
May 26, 2018
1:30 pm
Saturday
May 26, 2018
6:30 pm
Sunday
May 27, 2018
6:00 pm
Monday
May 28, 2018
3:45 pm
Monday
May 28, 2018
8:00 pm
Tuesday
May 29, 2018
5:15 pm
Tuesday
May 29, 2018
7:45 pm
Thursday
May 31, 2018
2:30 pm
Thursday
May 31, 2018
7:45 pm
Ends Thu, May 31.

Once a rising star of the rodeo circuit, and a gifted horse trainer, young cowboy Brady is warned that his riding days are over, after a horse crushes his skull at a rodeo. Back home on the Pine Ridge Reservation, with little desire or alternatives for a different way of life, Brady’s sense of inadequacy mounts as he is unable to ride or rodeo – the essentials of being a cowboy. In an attempt to regain control of his own fate, Brady undertakes a search for new identity and what it means to be a man in the heartland of America.

“Zhao achieves a lovely balance between unflinching realism and the hauntingly lyrical… Much of The Rider has been shot at magic hour, and it’s hard not to be overcome by the splendor of the landscape. Movies that blend real life and fiction usually foreground the docu-style realism, using the poetry as grace notes or punctuation. Zhao privileges both, and in so doing creates a work of heartbreaking beauty.” – Bilge Ebiri, The Village Voice

Access reviews at Metacritic or Critics Round Up.