the colonial theatre marquee

The Square

Directed by Ruben Östlund. Sweden. 2017. R. 2 hours 22 minutes. Magnolia Pictures. Digital.
Fri., November 17, 2017 thru Thu., November 30, 2017
Friday
November 17, 2017
1:30 pm
Saturday
November 18, 2017
1:30 pm
Monday
November 20, 2017
1:30 pm
Tuesday
November 21, 2017
1:30 pm
Wednesday
November 22, 2017
1:30 pm
Thursday
November 23, 2017
1:30 pm
Friday
November 17, 2017
4:30 pm
Saturday
November 18, 2017
4:30 pm
Sunday
November 19, 2017
4:30 pm
Monday
November 20, 2017
4:30 pm
Tuesday
November 21, 2017
4:30 pm
Wednesday
November 22, 2017
4:30 pm
Thursday
November 23, 2017
4:30 pm
Friday
November 17, 2017
7:30 pm
Saturday
November 18, 2017
7:30 pm
Sunday
November 19, 2017
7:30 pm
Monday
November 20, 2017
7:30 pm
Tuesday
November 21, 2017
7:30 pm
Wednesday
November 22, 2017
7:30 pm
Thursday
November 23, 2017
7:30 pm
Friday
November 24, 2017
12:00 pm
Friday
November 24, 2017
5:00 pm
Friday
November 24, 2017
8:00 pm
Saturday
November 25, 2017
3:45 pm
Saturday
November 25, 2017
6:45 pm
Sunday
November 26, 2017
2:00 pm
Sunday
November 26, 2017
5:00 pm
Sunday
November 26, 2017
8:00 pm
Monday
November 27, 2017
1:30 pm
Tuesday
November 28, 2017
1:30 pm
Wednesday
November 29, 2017
1:30 pm
Thursday
November 30, 2017
1:00 pm
Monday
November 27, 2017
4:30 pm
Tuesday
November 28, 2017
4:30 pm
Wednesday
November 29, 2017
4:30 pm
Thursday
November 30, 2017
5:45 pm
Monday
November 27, 2017
7:30 pm
Tuesday
November 28, 2017
7:30 pm
Wednesday
November 29, 2017
7:30 pm

Christian is the respected curator of a contemporary art museum, a divorced but devoted father of two who drives an electric car and supports good causes. His next show is The Square, an installation which invites passersby to altruism, reminding them of their role as responsible fellow human beings. But sometimes, it is difficult to live up to your own ideals: Christian’s foolish response to the theft of his phone drags him into shameful situations. Meanwhile, the museum’s PR agency has created an unexpected campaign for The Square. The response is overblown and sends Christian, as well as the museum, into an existential crisis.

“It’s helpful to think about Ruben Östlund’s meandering The Square as a museum, not unlike the one its protagonist runs. Östlund takes us through room after room of absurd, uncomfortable situations, provocations for us to either engage with or recoil from. …Östlund’s eye for the subtleties of human behavior, especially public behavior, never fails.” – Emily Yoshida, Vulture

Access reviews at Metacritic.com.