the colonial theatre marquee

Yellow Submarine

Directed by George Dunning. UK. 1968. G. 1 hour 30 minutes. Abramorama. Digital Restoration.
Sun., July 8, 2018 thru Thu., July 19, 2018
Sunday
July 8, 2018
4:45 pm
Sunday
July 8, 2018
7:15 pm
Monday
July 9, 2018
2:00 pm
Monday
July 9, 2018
4:45 pm
Tuesday
July 10, 2018
2:00 pm
Tuesday
July 10, 2018
4:45 pm
Tuesday
July 10, 2018
7:15 pm
Wednesday
July 11, 2018
2:00 pm
Wednesday
July 11, 2018
4:45 pm
Thursday
July 12, 2018
7:45 pm
Sunday
July 15, 2018
7:15 pm
Monday
July 16, 2018
2:00 pm
Tuesday
July 17, 2018
2:00 pm
Wednesday
July 18, 2018
2:00 pm
Thursday
July 19, 2018
2:00 pm
Monday
July 16, 2018
4:45 pm
Tuesday
July 17, 2018
4:45 pm
Wednesday
July 18, 2018
4:45 pm
Thursday
July 19, 2018
4:45 pm
Monday
July 16, 2018
7:15 pm
Tuesday
July 17, 2018
7:15 pm
Thursday
July 19, 2018
7:15 pm
Ends Thu, Jul 19.

We’ll screen the Sing-Along version of the film on:

Wed, Jul 18 @ 2:00
Thu, Jul 19 @ 4:45

Yellow Submarine, based upon a song by John Lennon and Paul McCartney, is a fantastic tale brimming with peace, love, and hope, propelled by Beatles songs, including “Eleanor Rigby,” “When I’m Sixty-Four,” “Lucy in the Sky With Diamonds,” “All You Need Is Love,” and “It’s All Too Much.” When the film debuted in 1968, it was instantly recognized as a landmark achievement, revolutionizing a genre by integrating the freestyle approach of the era with innovative animation techniques.

Inspired by the generation’s new trends in art, the film resides with the dazzling Pop Art styles of Andy Warhol, Martin Sharp, Alan Aldridge and Peter Blake. With art direction and production design by Heinz Edelmann, Yellow Submarine is a classic of animated cinema, featuring the creative work of animation directors Robert Balser and Jack Stokes with a team of animators and technical artists.

Yellow Submarine was restored in 4K digital resolution by Paul Rutan Jr. and his team of specialists at Triage Motion Picture Services and Eque Inc.  The film’s songs and score were remixed in 5.1 stereo surround sound at UMG’s Abbey Road Studios by music mix engineer Peter Cobbin. Due to the delicate nature of the hand-drawn original artwork, no automated software was used in the digital clean-up of the film’s restored photochemical elements.  This was all done by hand, frame by frame.

Celebrate the 50th anniversary of Yellow Submarine with us!