The General with Live Theatre Organ Accompaniment

Special thanks to the Theatre Organ Society of the Delaware Valley (TOSDV) for use of their Wurlitzer Theatre Organ.

Many critics consider The General to be the last great comedy of the silent era, and it consistently ranks as one of the greatest comedies of all time on international critics’ polls. Set during the Civil War and based on a true incident, the film is also an authentic looking period piece, bringing the scope and realism of Matthew Brady-like images to brilliant life. The title refers not to Keaton’s character, but to his engine, The General, which figures prominently in one of the most harrowing and hilarious chase scenes ever filmed. Keaton portrays the engineer Johnnie Gray, who is rejected by the Confederate Army and then suffers the further humiliation of his girlfriend’s (Marion Mack) thinking him a coward. When a small band of Union soldiers penetrate far beyond Confederate lines to steal his locomotive, Johnnie Gray sets off in hot pursuit; seven of the film’s eight reels (are) devoted to the chase, with its orchestration of thrills and comedy. Keaton shot the film on the narrow railways of Oregon and used less than 50 titles to explain the whole story.

ABOUT THE ORGANIST

As one of the youngest in a rare art form, Brett Miller is an active organist, conductor, and arranger who specializes in the art of silent film accompaniment. As an award-winning organist, Brett has continued his academic involvement and advocacy for the education and preservation of silent films through performing “live to picture.” In 2021, he was appointed music director of the Empire Film and Media Ensemble, a non-profit based in Rochester, New York, that advocates for the education, performance, and production of film music. He was recently appointed artistic director of the organization. Brett shares a close relationship between the ensemble and the Beal Institute of Film Contemporary Media at the Eastman School of Music.

His recent scores have been recorded with organizations such as the Eye Filmmuseum, the Friedrich-Wilhelm-Murnau Foundation, Kino Lober Classics, and Milestone Films. He has been featured at various film festivals and has played events in conjunction with film preservationists from the Library of Congress and George Eastman House. In 2023, Brett played to a sold-out performance of Nosferatu at Marian Anderson Hall in conjunction with the Philadelphia Orchestra. Season highlights include performances for the Houston Symphony, The Boston Pops, The Great Auditorium at Ocean Grove, Atlantic City’s Boardwalk Hall, and the Historic Colonial Theater.

Brett studied organ with renowned organist Jelani Eddington and piano with Beth Crompton and Joseph Rackers of the Eastman School of Music. He studied film accompaniment with Ben Model and Bernie Anderson. A native of Bedminster, Pennsylvania, Brett is an alumnus of the Philadelphia Youth Orchestra Institute. He currently studies at the Eastman School of Music pursuing his masters in orchestral conducting with Neil Varon.

TICKETS

General Admission: $20.00
Seniors/ Veterans/ Children (under 12): $18.00
Members: $16.00

Please note that all Non-Member ticket prices include a processing fee of $2.00.