Los Lobos
Rising Sun PresentsThursday, June 13
1903 Theatre 7:30 PM
About
It’s a matter of time. 50 years to be exact. And in that time Los Lobos have created an unprecedented body of work, a legacy of greatness. The numbers are staggering: 100+ gigs a year for five decades running, crossing millions of miles to rock millions of fans. And that’s just at the live shows. In between they’ve recorded 17 studio albums, 7 live LPs, 3 compilations, 2 EPs, 2 DVDs, and contributed 40+ guest appearances on their friends’ recordings — all garnering 5 Grammys, an Austin City Limits Hall of Fame induction, the ALMA Richie Valens Pioneer Award, NEA and Hispanic Heritage Foundation Honors, Congressional recognitions, plus countless “Keys to the City” and “Los Lobos Day” celebrations. And those are just a few of the highlights. But beyond all the hoopla and applause (and the source of it all, really) is the tremendous heart. Rather, hearts. Cinco corazones. Five blood brothers who have dedicated their off-stage time to helping others, working for peace and justice, penning some of the most literate and important music of their time, transforming the hard cries from the East L.A. barrio into songs of hope, tales of common folk finding ways to endure. The young wolves were weaned on late-night radio’s soul, R&B, and doo-wop. Were cured through the African-American currents of the blues, jazz, and rock ‘n’ roll. An amalgam. As proud Chicanos, their songs have always glistened with the distillation from their Mexican and Latin American roots — nourished by Norteña and rancheras, buoyed by bolero and cumbias, soaring on the rhythms of son huasteco and son jarocho. Los Lobos have helped spread the rich diversity of cultures across every continent, throughout the global community. Kids in Antwerp now know about Aztlán. Residents of Luxor and Ghana are crooning Lalo Guerrero. People from Laos and Bulgaria are belting “La Bamba” — all thanks to The Wolves as cultural ambassadors. Talk about a living legacy. Talk about a productive half century. And in the true rebel spirit, they did it all on their own terms, against formula. For the ages. To our delight. Quite simply, they are one of the tightest, one of the best, one of the most prolific bands ever. And, amazingly, with the original founding members as the pack the entire time. Unprecedented. As their liner notes put it, quite simply: “Los Lobos still are David Hidalgo, Louie Pérez, Jr., Cesar Rosas, Conrad Lozano, Steve Berlin.”
Jim Lauderdale
At any given time, you’re likely to find Jim Lauderdale making music, whether he’s laying down a new track in the studio or working through a spontaneous melody at his home in Nashville. And if he’s not actively crafting new music, he’s certainly thinking about it. “It’s a constant challenge to try to keep making better and better records, write better and better songs. I still always feel like I’m a developing artist,” he says. This may be a surprising sentiment from a man who’s won two Grammys, released 36 full-length albums, and taken home the Americana Music Association’s coveted Wagonmaster Award. But his forthcoming album Game Changer is convincing evidence that the North Carolina native is only continuing to hone his craft.
Operating under his own label, Sky Crunch Records, for the first time since 2016, Lauderdale
recorded Game Changer at the renowned Blackbird Studios in Nashville, co-producing the
release with Jay Weaver and pulling from songs he’d written over the last several years.
“There’s a mixture on this record of uplifting songs and, at the same time, songs of heartbreak and despair—because that’s part of life as well,” he says. “In the country song world especially, that’s always been part of it. That’s real life.”
Lauderdale would know: He’s been a vital part of the country music ecosystem since 1991,
when he released his debut album and began penning songs for an impressively long roster of country music greats. “When I was a teenager wanting to be a bluegrass banjo player, I never would have imagined that I would get to work with people like Ralph Stanley and Robert Hunter and George Jones and Elvis Costello and John Oates,” he muses. “Getting to work with them inspires me greatly to this day, and I know it always will.”
From rollicking guitar riffs on “That Kind of Life (That Kind of Day)” to the slow, sweet harmonies of “I’ll Keep My Heart Open For You,” Game Changer shows off Lauderdale’s ingenuity as a singer, songwriter, and producer—while re-establishing him as one of Americana’s most steadfast champions. “Country music is constantly evolving, but I’ll always have a soft spot in my heart for steel guitar and a Telecaster,” he says. “I have done my job on this record if people who love classic country feel like they can put it on, or have it in their collection, and it would fit right in.”
Respecting the past doesn’t mean he’s not breaking new ground. “We’re All We’ve Got,” a
co-write with Mary Gauthier and Jaimee Harris, offers a timely message about healing torn
relationships at home and across the world. And “Friends Again,” a grinning number about
rekindling a friendship, is fresh and forward-looking. At every turn, Lauderdale’s collaborative spirit and genuine love for the creative process reveal themselves in thoughtful, well-crafted songs sure to stand the test of time. “When everything works right, it’s just magical to be able to hear them back,” he says. “You feel, at least for those three-and-a-half minutes, like life makes sense.”
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