The Lone Bellow Trio

WXPN Welcomes The Lone Bellow Trio! Throughout their lifespan as a band, The Lone Bellow Trio have cast an indelible spell with their finespun songs of hard truth and unexpected beauty, frequently delivered in hypnotic three-part harmony. In a departure from their past work with elite producers like Aaron Dessner of The National and eight-time Grammy-winner Dave Cobb, the Nashville-based trio struck out on their own for their new album Love Songs for Losers, dreaming up a singular sound encompassing everything from arena-ready rock anthems to the gorgeously sprawling Americana tunes the band refers to as “little redneck symphonies.” Recorded at the possibly haunted former home of the legendary Roy Orbison, the result is an intimate meditation on the pain and joy and ineffable wonder of being human, at turns heartbreaking, irreverent, and sublimely transcendent.

“One of the reasons we went with Love Songs for Losers as the album title is that I’ve always seen myself as a loser in love—I’ve never been able to get it completely right, so this is my way of standing on top of the mountain and telling everyone, ‘It’s okay,’” says lead vocalist Zach Williams, whose bandmates include guitarist Brian Elmquist and multi-instrumentalist Kanene Donehey Pipkin. “The songs are looking at bad relationships and wonderful relationships and all the in-between, sometimes with a good deal of levity. It’s us just trying to encapsulate the whole gamut of experience that we all go through as human beings.”

Recorded with their longtime bassist Jason Pipkin and drummer Julian Dorio, Love Songs for Losers embodies an unvarnished intensity—an element in full effect on its lead single “Gold,” a galvanizing look at the real-life impact of the opioid crisis. “We don’t ever try to write songs with an agenda, so with ‘Gold’ the idea was to tell the story from the perspective of someone in a hard situation—in this case, a guy who’s stuck in the downward spiral of addiction,” says Elmquist. In one of the most exhilarating turns on Love Songs for Losers, the chorus to “Gold” explodes in a wild collision of bright piano tones, potent beats, and massively stacked guitars. “We’ve sung ‘Gold’ as a folk song in the past, but for the album we wanted to really experiment and push our sound as far as it could go,” Elmquist notes.

The fifth full-length from The Lone Bellow, Love Songs for Losers arrives as the follow-up to 2020’s chart-topping Half Moon Light—a critically acclaimed effort that marked their second outing with Dessner, spawning the Triple A radio hits “Count On Me” and “Dried Up River” (both of which hit #1 on the Americana Singles chart). After sketching the album’s 11 songs in a nearby church, the band holed up for eight weeks at Orbison’s house on Old Hickory Lake, slowly carving out their most expansive and eclectic body of work yet. “I’ve always thought our music was so much bigger than anything we’ve shown on record before, and this time we turned over every stone until we got the songs exactly where they needed to be,” says Elmquist. Co-produced by Elmquist and Jacob Sooter, Love Songs for Losers also finds Pipkin taking the reins as vocal producer, expertly harnessing the rarefied vocal magic they’ve brought to the stage in touring with the likes of Maren Morris and Kacey Musgraves. “Singing together night after night for a decade allows you to understand what your bandmates are capable of, in a way that no one else can,” says Pipkin. “There are so many different qualities to our voices that had never been captured before, and producing this album ourselves was a nice opportunity to finally showcase that.”

OPENING ACT: LINDSAY LOU

Lindsay Lou has been making soulful, poignant music for the last decade. An undeniable powerhouse, Lou’s remarkable gifts as a singer, songwriter, musician and performer demand the listener’s attention. Her singing floats over the masterful playing and deep groove of her band with both a fierce intensity and a tender intimacy. Born the daughter of a coal miner and the granddaughter of a Rainbow Gathering healer, Lindsay Lou grew up with room in her heart for both blue collar grit and mystical mind expansion. She describes her family as a group of close knit creatives, their lives influenced heavily by her maternal grandmother’s radical ideals and zest for life. Surrounded by the Great Lakes and her musical family, she naturally rooted herself in the Michigan music community. Raised with this sense of community, Lou recalls always being surrounded by music. So when the time came for her to join a band, for Lou, it felt like finding a home away from home. Her career, like her life, has been full of great moments of kismet. Growing up, Lou built her repertoire by practicing her vocals, and she picked up the guitar so she could play with her Uncle Stuckey. The skills she honed during the days of learning to sing and play with her family led to a wide variety of musical opportunities, singing in choir in high school, attending an elite summer program at Interlochen on scholarship, and winning awards for her talents. It wasn’t before long that Lou began to tour the world with a band of her own, The Flatbellys, and later The Sweet Water Warblers. The siren songbird and her band flew down South to take their place among friends in Nashville, TN. The move prompted Lindsay Lou’s fourth album, Southland (released April 2018), which is a transformative and heart-wrenching ten-song stunner. Lou’s voice—and its unique ability to create an expansive, almost physically tangible soundscape—carries each song on Southland forward. Produced by Sam Kassirer (Josh Ritter, Lake Street Dive, Elephant Revival), Southland expanded on her 2015 crossover album, Ionia, which had staked her unique sound apart from the more bluegrass stylings of her earlier releases. Today, touring nationally and internationally year round, Lindsay Lou and her band continue to collect a mass of friends and fans along the way. Notable U.S. festival plays include Telluride Bluegrass festival, Merlefest, Stagecoach, Redwing, ROMP, GreyFox, and a slew of others. Abroad, they have appeared at Scotland’s Shetland Island Folk Fest and the Celtic Connections tour, Australia’s National Folk Festival, and others. Of the live show, fRoots Magazine reviewed ” . . . (Lindsay Lou is) the most affectingly expressive singer since Amy Winehouse, backed by the new Punch Brothers.” The Boot, who featured Lindsay Lou Band as a “Can’t Miss Act” at AmericanaFest 2018, says “. . .Lou brings introspection and masterful vocal work to her live show.”

TICKETS

Gold Circle: $55.00*
Front Orchestra: $39.50
Front Balcony: $39.50
Rear Orchestra: $34.50
Rear Balcony: $27.50

Soundcheck and Chill Fan Experience: $140 ($85 plus a Gold Circle seat and ticketing fee)